In fact, it is downright impossible to listen to any of the songs from the album, and not immediately start humming it. The melodies are meticulously arranged: there are catchy hooks, low-fi bhangra beats, lots of dhol, and employing an array of instruments, from the santoor and the flute to the rubab, all of which build up to a satisfying crescendo. This is an album where the restless energies of Neeraj Sridhar, Shankar Mahadevan, and Vishal Dadlani comfortably square off against the emotional sincerity of Rahat Fateh Ali Khan, Sukhwinder Singh, and Alisha Chinai’s voices. If Ranveer Singh’s energy and wardrobe could be bottled in a music album, it would be called Jhoom Barabar Jhoom. It is irreverent, kooky, and sensational. That’s because the music of Jhoom Barabar Jhoom - composed by Shankar-Ehsaan-Loy and lyrics supplied by Gulzar - is everything the film isn't. It’s held my attention for over a decade now as the soundtrack to my karaoke nights, impromptu sleepover dance-offs, drunk birthday nights, and sunny vacation days. It’s an economical, flawless album really, in the sense that even when it noisily goes over-the-top, it still can hold your attention. The Jhoom Barabar Jhoom soundtrack is pure whataboutery: it is made up of songs that you want to sing with your friends at the top of your voices as well as songs that you want to enjoy without anyone finding out. In the last decade, there hasn’t been a day where I haven't worshipped at the altar of this groovy soundtrack.
#Jhoom shankar mahadevan movie#
Allow me to introduce you to the silver-lining of this godforsaken pothole of a movie - its blistering, boisterous, and banging soundtrack. There’s no easy way to say this: The film was objectively speaking, a trainwreck of giant proportions - a project so atrocious that it remains one of the worst offenses committed against Indian audiences.īut here comes the plot twist. And if that was not enough, there was also Amitabh Bachchan cosplaying as a completely unnecessary musician-pirate who wandered around Waterloo station wearing a hat spiked with ostrich feathers and breaking into his own lonely flashmob. The borderline insulting plot revolved around two compulsive NRI liars who meet at a London cafe, and fall in love with each other while inventing fake partners, dreaming about imaginary romantic song sequences, and competing in dance-offs across Paris, London, and Agra.
The film unfolded with a casual disregard to logic or self-respect, held together entirely by an orgy of blinding lights and injurious over-acting. Part-musical, part-madcap comedy starring Abhishek Bachchan, Amitabh Bachchan, Preity Zinta, Lara Dutta, and Bobby Deol, Jhoom Barabar Jhoom was the sun that sank without rising.
And then, Shaad Ali made Jhoom Barabar Jhoom. Put simply, it was a glorious time to be alive. Ltd, Manorama Six Feet Under, and Cheeni Kum.
And then there is the class of debutantes: Sagar Ballary, Reema Kagti, Navdeep Singh, and R Balki, who take it upon themselves to challenge Hindi cinema audiences with their respective kooky outings - Bheja Fry, Honeymoon Travels Pvt. Soon, a little known director called Aamir Khan teaches India about autism with Taare Zameen Par. This is a time when Akshay Kumar is still doing bumbling comedy movies like Namastey London, and has not yet located his jingoistic bone. And Farah Khan efficiently utilises the hallowed baggage of SRK by making Om Shanti Om, arguably the finest meta-commentary on the sperm-driven, ego-fuelled circus that is Bollywood. Shimit Amin directs Shah Rukh Khan, a Muslim superstar, in Chak De! India, a patriotic sports film that holds an entire population hostage for constantly demanding that Muslims prove their patriotism for a country that is as much their own. Imtiaz Ali releases the record-breaking Jab We Met, best known as the swansong to the whirlwind Shahid Kapoor-Kareena Kapoor (yet to be a Khan!) love story. Bollywood is flush with unlikely successes.
#Jhoom shankar mahadevan series#
But when entertainment is concerned, is there even any guilt to what gives one pleasure? In our new series Pleasure Without Guilt, we look at pop offerings that have been dissed by the culture police but continue to endure as beacons of unadulterated pleasure. When the going gets tough, we turn to our favourite guilty pleasures. Jhoom Barabar Jhoom soundtrack was the chef's Kiss of Love in what was otherwise a recipe for disaster
0 kommentar(er)
